DMC Worldwide Magazine Interview w Starita & Sean Johnson ‘Dark Night Remix’

Producer, artist and songwriter, Starita has collaborated with many icons in the scene including  A Tribe Called Quest, Childish Gambino, Los Amigos Invisibles, Michael Franti & Spearhead and more, whilst reaching #1 on Billboard’s Top 200 chart, GRAMMY for Best New Age, and nominated for Best Latin Urban/ Alternative and Song Of The Year in the Latin Grammy Awards. His new remix of Seán Johnson & The Wild Lotus Band’s eclectic ‘Dark Night’, originally released on his Be Still Records imprint in 2021 from the album ‘Mystery’ welcomes a heartfelt and meaningful addition to his growing repertoire.

The original track was made in memory of Seán Johnson’s brother Jeremy, offering up a heartfelt affair surrounding the unexpected turns of grief.  We caught up with Starita and Seán Johnson to discuss his ‘New Dawn Remix’, the production process and heart-wrenching story behind it as well as upcoming releases and more.

Hey Starita and Seán, thanks for joining us here at DMC World Magazine. Let’s start by talking about how you are and where are you based right now?

Starita: I am currently based in San Francisco and have been for 25 years now already! There was no better place in America to spend your 20s than San Francisco, I can say that. I’m originally from Jackson, Mississippi and at 20 years old migrated to the west coast after landing a production job at a studio that had a house music label. I was lucky enough to spend my days making tracks for various artists on the label which was a dream come true. Oddly enough, I’m finding myself working more in the south again. Specifically in Muscle Shoals, Alabama, the birthplace of southern soul music, with a number of soul and pop artists. The retro soul sound never really dies and tends to saturate or influence a great deal of modern music.

Seán: It’s a fascinating time to be alive, and I’m feeling all the feels. Through the joys and challenges, I’m grateful for the medicine of music and spiritual practice, which I have the blessing of being immersed in through my roles as a chant-inspired musician and yoga teacher.

I’m a proud native of New Orleans, born and raised, and based here. I spent my twenties living in many different places including a school in Olympia, WA and Oakland, CA. One of my favourite places to travel to is Ireland, where I go each year, to tap into my ancestral roots. One of the highlights of my life right now, in addition to making music with my band, is being a father to my 4-year-old son Finn, who lights up my heart every day.

Starita, you’ve recently released your ‘New Dawn’ remix of Seán Johnson and The Wild Lotus Band’s single ‘Dark Night’ which was originally released on your label Be Still Records. How did this renewed version come into place?

When I first heard Dark Night it was clear that it was about a deep experience. Seán told me the story about it and we actually went through some rounds of how to make the original song stronger to match the story of his brother passing away in a drowning incident. Needless to say, this was a very special song. Not only a song but a way to grieve the loss of a loved one.

After the album release, we began discussing different artists to select for remixes and I wanted to take on Dark Night specifically because of the deep connection this had to the loss Sean had. It felt somewhat like I was meant to do it given my close relationship with Seán. Honestly, I was a bit nervous because I knew it had to do the song and Jeremy justice. I saw it as a gift to Seán and his family that would hopefully bring some light into the grieving process.

Link: https://open.spotify.com/track/6f7UdN1IgIHy07poEI5VpP?si=e2f62cce51c24bac&nd=1

Seán, the single was made in memory of the passing of your brother Jeremy and it’s a heartfelt affair and the release fuelled a strong friendship between yourself and Starita. Can you tell us a little bit about the connection between you two and what the ‘New Dawn’ remix means to you?

Starita and I bonded as soon as we met about 7 years ago. Something about both being from the south – with a shared love for music, spirituality, yoga, and meditation. I’ve always loved people that are both passionate about spirituality and also down to earth, humble, and with a great sense of humour,  and we clicked in that way. During the pandemic, Starita reached out and asked me to collaborate on a song he had written called “The Search,” and since then have explored other creative ways to collaborate musically.

I love his sound. It’s big, atmospheric, spacious soundscapes. There’s a dreaminess along with a cityscape quality to his songs that often has a touch of melancholy and longing. The way he blends ambient, electronic layers, acoustic instrumentation, and evocative vocals is really consciousness-altering. When I started talking to Starita loosely about a potential remix project – he immediately said that he’d love to remix “Dark Night.” I was really touched that he felt inspired to re-imagine this song — especially because he knew how personal it was to me and my family. In a sense, it felt like a brave and serious commitment to take on. On a personal level, I trusted him to really take it to heart, and on a music/production level, I was excited to see how he would give the song another life through the soundscapes he’s so skilled at creating.

His “New Dawn Remix” version of Dark Night is an incredibly powerful new rendition of the song. When I first listened to it, I got goosebumps all over. I wept and I danced. I love the way that Starita took the momentum and feeling of my vocal track and built a new electronic music arrangement around it to help propel the emotion of the song. I feel in a sense – that through the new arrangement – he answered the prayer that is being called out in the song by bringing in more light, radiance, and life. To transform a lament into a dance tune is incredibly cathartic.


When I told Starita that I cried the first time he heard it, he said he also cried throughout the process, and I was really touched by that. It’s honestly one of the most meaningful and one of my favourite pieces of music I’ve been a part of, and  I’m deeply grateful for that. I also know that if Jeremy can hear the song, he is loving it, and dancing to it in the mystery.

Starita, your work has won a GRAMMY award and an artist that has worked with the likes of A Tribe Called Quest, Childish Gambino, Los Amigos Invisibles and more. What have been your personal career highlights and can you tell us what it was like to work with huge artists in the music scene?

Starita: While I’m grateful and it’s nice to have my work win a GRAMMY and gain 2 other nominations, those awards don’t really give any validation to the quality of art. It’s the culture and people that make being an artist and producer so fulfilling. I’d have to say the biggest highlight in my career was working with Phife Dawg on what would become the final A Tribe Called Quest album and his own final album ‘Forever.’ That led to a collaboration on my first single ‘Rules’ with Jarobi White of A Tribe Called Quest and a long, very rewarding relationship with the Tribe family. Another highlight was working with my dear friends Los Amigos Invisibles. It’s always a pleasure to get outside of my comfort zone and working with such a talented group of latin musicians definitely filled that need. It also made very clear that no matter the culture or language, music is universal as cliche as it sounds.

Starita, we are aware you’ve been super busy this year with multiple gigs and performances. What are your most memorable gig highlights from this year and have you managed to get any downtime in-between?

Yes, I think it’s safe to say this has been one of the busiest years of my life and I’ll take it! Spending a total of over a month in Muscle Shoals between Fame Studios and Muscle Shoals Sound had a profound effect on the way I approached production this year. It became much clearer that art and expression do not come from the mind. It’s the artistic spirit or muse that we all have within us that’s guiding the process and you’re either listening to it or not. Art tends to make itself if you are listening to it but begins to become a battleground if you’re not. I learned how to let go and trust much more this past year when it comes to creating and producing.

My wife and I value making time to go into nature and travel so believe it or not, between all of the projects, we managed to make it to Costa Rica and Hawaii for a month along with shorter trips into the Sierra Mountains of California to see the stunning fall colours.

Starita and Seán, the remix of ‘Dark Night’ has incredible production and we’re interested to hear more about the production process behind it. Can you tell us how the remix was made from start to finish and the inspiration for the new version?
Starita: I knew this wasn’t going to be a typical remix given the energy and story behind the song. There was actually quite a bit of self-inflicted pressure because I knew I had to really dig deep and make sure I was creating something that was a true, authentic expression of the original while taking to a new place. So I began to imagine myself in Jeremy’s place, having passed away and entered a new beginning or world; unexplored, completely new and quite possibly a very exciting and positive place.
I began to ask the question ‘What’s next and how would that sound?’ So, you will hear that the song starts very introspective, signifying the moment of leaving this earthly body and beginning to realize you have moved into a new territory for lack of a better term. I didn’t want to take the circuitous path of dwelling in grief but signify the joy and celebration of a rebirth and how exciting it must be to explode into a new world. That being said, I began to explore the sonic elements to express that so the song clearly builds into a massive wall of sound and celebration. This ‘new’ exploration is actually something we have all experienced when we entered this world as a child. The sound of a bird or even the doorbell was new, exciting and filled with wonder. We all deep down yearn to return to that sense of wonder and innocence so maybe the passing of this life is that return we’ve all secretly missed?
Seán: Starita and I had some conversations as he was beginning the process. I could tell how seriously he was taking it, which meant a lot to me. My perception was in the beginning he was experimenting with a couple of different possible directions with the remix when the creative lightning struck, and  he knew he was on the right track, and built the whole soundscape that would become “New Dawn Remix”  in a flow state. During this stage, he shared that Orbital was one of his muses during the process, and his connection with their music was a big inspiration for the direction that the remix took.
The track is also accompanied by an alluring official music video – can you tell us a little bit about this?
Starita: The video’s creative direction was envisioned by our creative director, Tam Starita, who wanted to capture the visual evolution from darkness to light; mirroring the sonic progression of the song. She had envisioned capturing the initial scene in an intimate space whereby the focus was on Seán blanketed in darkness. With Seán as the only subject lit, the moodiness and drama of the journey — conflict, struggle, reflection, and awareness — is heightened and spotlighted. As the journey crosses over into light, it is bridge with the ‘New Dawn’ Remix and encompasses Starita into the visual story. What was important was to maintain the spaciousness and organic elements of the journey over time.  Hence, Tam captured and incorporated timelapses of numerous nature scenes – lunar eclipse, ocean, wind – as integral parts of the video’s evolution. When Starita, Seán, and Tam got together to film the video, all the elements fell into place effortlessly.
What else can we expect from Starita and Seán Johnson next year? Are there any upcoming releases or gigs you’d like to share with us?
Starita: Wow, do we have some great things coming up! I am in the midst of production of my next full length album which includes talks from the archives of J. Krishnamurti that the foundation provided surrounding the subject of death along with several songs featuring Seán on vocals but also the rest of The Wild Lotus Band which I am very excited about. You can expect some of the similar compositional ambient sounds from The Wake Up Call but with a much more IDM focus similar to the New Dawn Remix.
Seán: The band’s schedule is heating up and we’ll be headlining a bunch of festivals throughout the year. After a three year lapse, we’re also excited to revive an 8 day experience in New Orleans we host called The BHAKTImmersion which is all about holding a fun, deep, supportive space for people to open their hearts, embrace their innate creativity, and learn to express themselves through music, poetry, dance, and more. The band has some remix collaborations being released this year, and we’re excited to begin working on some new material with a focus on creating music that is a little quieter and more spacious than a lot of our previous material. I am super excited to be working with Starita again on songs for his upcoming album, one of which I’m approaching in the songwriting as a kind of a sequel to “Dark Night.”

Premiere: VICE/Noisey ‘The Wake Up Re-Call’

Pioneering Hip-Hop Producer Starita Is on Sacred Ground

Starita stands in a recording studio, photographed in black and white.
Watch the new music video for Starita and Otis McDonald’s “The Wake Up Re-Call” featuring Illa J, Zay Bcuz, and NicX.

Sitting behind the glass at Fame Recording Studios in Muscle Shoals, Alabama, Starita is honored to be recording in a city he believes is a sacred ground for music. According to legend, the Tennessee River, which flows through Alabama, was referred to as “the singing river” by the Yuchie Tribe because they claimed that the breeze whistling off the water sounded like a woman singing. “That’s the philosophy behind why this is such a musical town: There’s a spirit in this place, something you can’t put words to,” Starita told Noisey while discussing new song, “The Wake Up Re-Call.”

The Mississippi-born multi-talented artist and songwriter’s discography demonstrates his experience and flexibility in crafting songs, with collaborators ranging from Childish Gambino and A Tribe Called Quest to Christian Scott, aTunde Adjuah, Madame Gandhi, and Los Amigos Invisibles. As an artist, a producer, and an engineer, Starita has played many different roles on both sides of the glass on dozens of records.

Tracing “The Wake Up Re-Call” back to its beginnings, Starita said that DJ Rasta Root—the late rapper Phife Dawg’s longtime manager—was instrumental in its creation. “I was working on Tribe Called Quest’s most recent album, We Got It from Here… Thank You 4 Your Service, and then Phife and I started working on his solo album,” Starita said. Phife Dawg passed away two days after wrapping up work on the album track “Dis Generation” in 2016. “I recorded his last record,” Starita said. “So that turned into a deeper relationship with the Tribe Called Quest family.”

“The Wake Up Re-Call” first took the form of a slow and solitary instrumental from Starita and Trent Park released in 2021, fittingly titled “The Wake Up Call.” The track was transformed by Starita’s friend and collaborator, Otis McDonald, earlier this year. McDonald, a producer and multi-instrumentalist, recharged the record by infusing swing and breaks, making it into a soulful hip-hop instrumental track. The recording then went to Rasta Root, who invited a trio of rappers to the studio to add verses: Zay BcuzNicX, and Illa J, the Detroit singer, producer, rapper and younger brother of J Dilla.

“It is unbelievable what Otis did with the record,” Starita said. “I never could have imagined it would evolve into this.”

But Starita added that he doesn’t refer to the new recording as a remix because he said the process “turned into something so collaborative and different.” The verses each contribute specific angles and meaningful prose from the featured rappers, who flowed effortlessly over McDonald’s warm and soulful approach. Illa J sets the tone insightfully with the first verse, Zay Bcuz brings his focus and flexibility to the second verse, and the tight dexterity of NicX elevates the track’s final verse.

The collaboration for “The Wake Up Re-Call” grew from seeds planted over the last decade, which took root in the same recording sessions that immortalized Phife Dawg’s final lyrics. The music video, fittingly, came to life in a packed club in Atlanta at a listening party for Phife Dawg’s posthumous solo album, Forever, released in March. Rasta Root granted permission for the artists to film “The Wake Up Re-Call” music video at the LP’s listening party. It was a fitting tribute to the cycle of hip hop: It doesn’t die; it’s continually reborn.

Today, after decades of collaboration and history across a wide spectrum of sound, Starita said he is focused on maintaining a beginner’s mindset. “If you think you know how something is supposed to be, you can’t explore and drop the mind,” he said. The words he found to describe his philosophy to music were rooted in spirituality. “Curiosity and consciousness power art,” he added. “Art is constantly trying to mimic reality. Being curious begins this entire exploration. The inquisitive nature to question and the nature to make art are linked. You can’t separate art and consciousness, that’s where it comes from.”


Premiere: Northern Transmissions ‘Love & Pain’ feat Trent Park, Michael Hays

Starita has shared a new visualizer for “Love & Pain” Featuring Singer/Songwriter Trent Park and Guitarist Michael Hays. The track will be released Via Be Still Records. The multi-artist is Known for collaborations with Childish Gambino, A Tribe Called Quest, and many others, his music blends electronic elements with live instrumentation that stems from his deep roots in dance, ambient, and classical music. “Love & Pain,” with it’s lush vocals and smooth beats, transcend you to a better place.

“Love & Pain,” features singer/songwriter Trent Park and American musician and guitarist Michael Hays, is the fifth single release from Starita’s new compositional ambient, avant-garde, experimental album, The Wake Up Call, described as “a body of work that expresses his journey of introspection across the various stages of the human experience (from openness and curiosity in childhood to pain, closure, resistance, and darkness in adulthood), leading to awareness, acceptance, and awakening on the search for peace and freedom.” “Everything about this album elicits the awakening to our true nature and listening to ‘the Spirit,’” says Starita.

Read the full premiere here…

Premiere: Glide Magazine ‘The Dream’

GLIDE MAGAZINE PREMIERE: Starita ‘The Dream’ feat Christian Scott, Trent Park

From his collaborations with members of A Tribe Called Quest to Los Amigos Invisibles and Michael Franti and Spearhead, multi-talented artist and songwriter Starita has astounded worldwide audiences with his unique mix of electronic and acoustic instrumentations (drawn from his deep roots in dance, ambient, funk, rock, and techno music).

Read the full premiere here…

The Dream” is truly a collaboration between artists who managed to tap into the same musical wavelength and make something special.” 

The lush yet complex signature soundscape showcased within various artist collaborations have consistently produced jaw dropping, original out-of-the-box productions that dare to defy odds, break the ‘rules’ of music genres, rise vibrations, while offering a note of spiritual introspection.

“The Dream,” featuring acclaimed trumpeter Christian Scott aTunde Adjuah and soulful singer/songwriter Trent Park, is the fourth single release from Starita’s new compositional ambient, avant-garde, experimental album, The Wake Up Call, due out August 13th. The EP contains a body of work that expresses his journey of introspection across the various stages of the human experience (from openness and curiosity in childhood to pain, closure, resistance, and darkness in adulthood), leading to awareness, acceptance, and awakening on the search for peace and freedom. “Everything about this album elicits the awakening to our true nature and listening to ‘the Spirit,’” says Starita. The seven song collection showcases an intentionally open longer format that allows listeners time to drop in, access, connect, and flow with whatever emotions and memories that may surface throughout the sound journey.

Today Glide is excited to offer an exclusive premiere of the video for “The Dream,” a sure standout on the upcoming EP that showcases Starita’s unique and open-minded approach to collaboration. With delicate instrumentation that is enhanced by fitting visuals of serene settings, the song is a soothing journey into the idea of purification. There is an element of orchestral pop that is elevated through the enchanting jazz trumpet of Christian Scott aTunde Adjuah, who lets his instrument float beautifully over the sonic landscape. Trent Park’s vocals add a level of emotional power to the song, slowly building alongside the music to reach a cathartic release. “The Dream” is truly a collaboration between artists who managed to tap into the same musical wavelength and make something special. 

“This song digs down and stirs up deep rooted emotions in the body to be purged and cleansed from the consciousness. The sound design, structure and production was designed to capture that purification. With the explosive journey that we all experience as humans – individually and collectively – this purification outlet is necessary and needed. To be able to use sound art to provide that access point is a tool that I tap into and hope that listeners can benefit from as well. While considered the most emotionally charged song on the album, it is also very relatable. The vocal melody and chord progression quite naturally reflects the visceral quality of the human emotional experience,” Starita remarks.

Drawing inspiration and guidance from ‘Spirit’ along with the textural and emotional range of his influences, Olafur Arnaulds and Nils Frahm’s bodies of work, Starita created a dramatic, neoclassical, compositional ambient, cinematic sound design (a blending of acoustic with electronic elements and instrumentation with analog synths) on this track that holds the expansive range of emotions – from intense devastation to hopeful – artfully. “This very special feature from Christian Scott aTunde Adjuah’s trumpet solo adds a unique layer of emotional intimacy to the song. Trent Park also dropped right into the spirit of this track; eloquently channeled this painful melody and conveyed the intensity of the song beautifully through his recognizably rich and soulful vocal interpretation. In the same fashion, guitarist Robin Applewood captured the energy left behind by his departed friend, playing the guitar part on an old classical guitar that was left to him. It has the original strings that came with the guitar when he inherited it. So, there is an energy and vibe to the sound although most would say the strings are dead and need to be changed. This track demonstrates the power of a masterful collaboration; bringing forth the best that each has to offer. With each piece that is added by an artist, we are symbolically weaving our collective stories, uniting our energies. I don’t think there could have been a better group of collaborators to express this message and piece of art,” Starita shares.

“When Starita first approached me about this collaboration,” Scott says, “I instantly resonated with this track because of the message I felt behind the song. There was a deep yearning energy; need for one to express their love and aspirations and holding that in a certain light. The reference to ‘someday’ in the lyrics was hopeful and grabbed me. This is a message relatable to us all. I wanted to use this time, during the pandemic, while the world was ‘resting’ and ‘reflecting,’ to explore musically. Starita’s genre-blending style of music, combining electronic and live instrumentation intrigued me. Listening to Starita’s initial interpretation of ‘The Dream’ piqued my interest and I was drawn to creating a trumpet piece to go with it. I wanted to explore what we can do together. The music industry is not set up to foster ‘building together,’ so this was the perfect opportunity to do so. As a conceptualist and producer, I share Starita’s vision of ‘letting go, not thinking, and letting it flow.’ That was the basic premise that was agreed upon by all of the collaborators….just let the song come naturally with no force from the mind. Let the heart lead. With that, I listened intently and created a sound that was very specific for this track. Many have heard me speak about the ‘whisper technique’ which is a warm air technique that only a few of us use. The technique is basically using warm air and prioritizing your breath at the mouthpiece of vibration. The warmer air actually rubs the inner-workings of the brass a little bit differently, which gives more of a hazy sound. To be able to get certain phrases out while the core air is warming up, you have to learn to refine warming the air up in your diaphragm and feigning phrases from your chest air, or frogging. It is so interesting and rewarding to witness what we have created together. It is my mission to unify people via their musical and cultural voices by tearing down the sonic and social constructs that separate them. To me the idea of ‘genre’ is the same. It’s just an extension of that type of self-segregating and kind of linear thinking. Similarly for this collaboration or my work with Stretch Music, my stance is the same, in order to stretch music, you have to be able to stretch yourself.”

“After listening to this sound journey, I hope that the listeners felt cleansed, had a moment that they needed, and perhaps let go of some emotional pain,” Park closes.

Starita ‘The Dream’ feat Christian Scott aTunde Adjuah, Trent Park and Robin Applewood

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Premiere: Vocalist Pratika Gopinath Joins Starita for ‘Changing’

The Chennai-based singer was recruited by the San Francisco-based composer, who also has guitarist Robin Applewood on the track from ‘The Wake Up Call’

American artists Robin Applewood, Starita and Chennai-based Pratika Gopinath (from left) collaborate on “Changing.” Photos: Tam Starita, Nikita Borges

After a few years of establishing herself as the soulful voice in Pune alternative act Easy Wanderlings, vocalist Pratika Gopinath takes a step into solo material with a transnational collaboration called “Changing,” for San Francisco-based electronic/ambient/new age producer Michael Starita. The calming song, part of Starita’s upcoming album The Wake Up Call, also features fellow San Francisco guitarist and artist Robin Applewood.

For Gopinath, “Changing” comes as a breakthrough in terms of finally putting out solo material. She admits that there’s often too much pressure in the music industry and a struggle to be expressive, but she didn’t want to let go of this opportunity.

Starita — who has previously worked with hip-hop artist Childish Gambino as well as Indo-American producer-drummer and singer Madame Gandhi — says he chanced upon Gopinath’s work via Rolling Stone India. “I was blown away by the purity, soulfulness, ease, and spirit of her voice. Nothing about the collaboration and making of this track was planned. This container allowed us to effortlessly unleash the uniqueness and qualities that are within each of us as distinctive artists… to create music that is pure, interesting, and honest,” Starita says.

Read the full premiere here…


Starita Reaches Across Borders On a Virtual Collaboration With Indian Artist Pratika Gopinath and Robin Applewood

***For Immediate Release***

Contact Tam Akiko tam@staritamusic.com


Photography/Cover Art Direction Credit: Tam Starita

One of electronic music’s rising stars just so happens to be a Southern boy at heart. Mississippian Starita has wowed international crowds with his innate knack for blending acoustic instruments into an electronic song, which he argues is indicative of his roots.’ – PopMatters

“Changing” is the first single release from Starita’s new avant-garde, ambient, new age album, “The Wake Up Call”; a body of work that expresses his journey of introspection across the various stages of the human experience (from openness and curiosity in childhood to pain, closure, resistance, and darkness in adulthood), leading to awareness, acceptance, and awakening on the search for peace and freedom.  Due to the reflective nature of the message, “Changing” is the most open and approachable song on the album. While this neo-classical and ambient soundscape direction differs from his previous releases, Starita’s signature sound blending resonates clearly on this track and album, as he masterfully combines acoustic and electronic elements using analog synths and sound design. This is also a well-matched global virtual collaboration between US and India artists; featuring the soulful and jazzy vocals of Pratika Gopinath, lead vocalist of the group, Easy Wanderlings of Chennai, South India, guitarist and musical renaissance man, Robin Applewood, of the San Francisco Bay Area, US, and genre-blending artist, Starita, also residing in the San Francisco Bay Area, US.

“The basic premise agreed upon by all of the collaborators for this track and album was to allow the song and its elements to flow together naturally with no force from the mind; letting the heart lead. As a result the song, in a sense, wrote itself,” says Starita. “It started with Robin Applewood who channeled the guitar part masterfully; played on an old classical guitar that was left to him by a close deceased friend.  Since it has the original strings that came with the guitar, there was an inherited energy, meaning, and vibe to the sound, even though most would say that the strings are dead or need to be changed.” Starita expanded. “I wanted the guitar piece to create a pillowy bed of clouds with layers of arpeggios that could be expanded upon,” Applewood added. “From this, I built electronic elements around the guitar piece, leading to the theme of the song. As this all evolved from a natural flow state, I invited Pratika Gopinath to collaborate as the vocalist after hearing her performance with Easy Wanderlings through Rolling Stone India.  I was blown away by the purity, soulfulness, ease, and spirit of her voice. Nothing about the collaboration and making of this track was planned. This container allowed us to effortlessly unleash the uniqueness and qualities that are within each of us as distinctive artists… to create music that is pure, interesting, and honest.” Starita concluded.

“After listening to the opening track on this album, I want the listener to close their eyes and sink into the song.  Instead of thinking about their opinions of it, I want them to feel the song, take note of where the song takes them, and be in the moment. Music is powerful in that it offers us the opportunity to feel instead of think, yet we often don’t allow ourselves to do so. As this track is called ‘Changing,’ and is about the journey of new beginnings, it’s the perfect opportunity to try something NEW.” says Gopinath.

Starita’s “Changing” is available across all digital service providers on Wednesday, November 18, 2020.




Starita, is a Mississippi born, 2-time GRAMMY®/Latin Grammy recognized multi-talented producer, songwriter, and artist whose work spans a multitude of genres. His work and unexpected collaborations with Childish Gambino, A Tribe Called Quest, Madame Gandhi, Rebelution, Los Amigos Invisibles, Michael Franti and Spearhead, and many others, offer a unique genre blending style incorporating electronic elements blended with live instrumentation that stems from his deep roots in electronic, ambient, classical, and new age music. Fans are often pleasantly surprised by the unexpected outcome; an out-of-the box production resulting in a lush yet complex soundscape.



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Tam Akiko
Starita Music
Ph 415.562.4859